Analysis of the Chinese films Essay Example | Topics and Well Written Essays - 1000 words

Analysis of the Chinese films - Essay ExampleAs pointed out, the protagonist was forced to be the custodian of Kosaburo Hanaya and dong Hanchen. Before this incident, Ma Dasans life was flowing slowly without much problem. But this incident forced Ma Dasan to be in a dilemmatic maculation because the person who handed over the pris mavinrs pointed out that he must look after the prisoners with due care. The following events include the futile effort undertaken by Ma Dasan to keep the prisoners safe, hiring of One Stroke Liu to execute the prisoners and failure to do so, Kosaburo Hanayas return to his homeland, and the fire in Ma Dasans village, Ma Dasans essay to take revenge and his ultimate doom. The most shocking incident in the film is the large scale massacre at the feast. This incident ignited the view of revenge in Ma Dasans mind. Earlier, Ma Dasans role in the village (say, his community or society) was to obey the law and order without cover his hesitation. But this inc ident transformed him from a passive individual to an active individual who is ready to give up his life for a noble purpose. A birds eye view of the film leads one to misinterpret the same as an anti-Japanese invasion genre film. But deeper understanding leads one to the actualization that the handlers attempt is to mock the hypocrisy of the Chinese authorities and the mentality of the Chinese villagers towards the Japanese invaders. For instance, in the film, children are ready to share secrets with the invaders and the villagers detect satisfied by the supply of food grains. Besides, this unveils the passive attitude shown by the people towards the authorities. The fundamental problem of craze in the film faced by the ignorant villagers without a unified authority is two sided. For... The contemporary Chinese cinema is undergoing rapid plainly positive change. Nowadays, the Chinese film makers show exquisite interest to inculcate innovative ideas in their films. For instance , the film Devil at the Doorstep by the Chinese actor cum director Jiang Wen is one of the best examples which highlight the foretold change. Jiang Wens prior status as an actor did not hinder him from choosing the story line of the film Devil at the Doorstep, which carries violence and mental trauma faced by individuals in a closed society. The film was able to gain the jury prize at Cannes, but that did not help Jiang Wen as a direThe film Devil at the Doorstep by Jiang Wen was accepted by the international viewing audience but less accepted by the Chinese government. The main problem faced by Jiang Wen was the restriction upon individual freedom of a director with the international outlook. The main reason behind the less acceptance and ban on the film was the realistic and critical attitude of the director towards power politics, violence and its effect upon the individuals. The protagonists transformation from an inactive stage to activism and as the mouthpiece of the director to communicate with the viewers is the most important development in the film. The narrative feature of the film is conversational and less ambiguous because of the usage of the historical plot. The stylistic features of the film raise the same from its limitations to the international arena of cinematography.